Stuck in the middle with you, Brett!!!

I usually approach a novel as a series of vignettes that have important information about participating characters and devices to push the plot forward. However, when it comes to linking said scenes, I occasionally run into a wall. My characters are on different, equally important paths; paths which occasionally cross over or run parallel for a period. Their back stories have nothing in common, and they don't always arrive at the same destination.

I sometimes find it tricky when I need to introduce two or more for the first time. Maybe I'm pressuring myself in trying to force the issue and that's why my well of inspiration is dry. I know what the scene needs to accomplish, who needs to be there, how they need to interact, but somehow, it's not coming together. I have the parameters, but I'm all out of content.

I need Brett (the new kid on the block) and Wolf (the established musician) to meet at Brett's gig, in order to spark off the rest of their interweaving journey of hate, sabotage, and one-upmanship. Wolf's only there because his friend/roadie Alex invited him, and their other friend Jimmy is the promoter for the event. Wolf and Brett also meet a third, lesser character, Roxanne, at the venue, which sets her up for future scenes with both of them.

I've sat in front of my computer for months, trying to tackle this scene, and every time, I give up and move past it, and work on something else from a later chapter (I don't write in order). I'm a working musician; it's not like I don't have plenty of gigs to draw from! I wonder if this sinking sand rut is my subconscious' way of telling me the scene is not going to work, or if it's because I'm allowing recent negative exchanges with musicians cloud my creativity...

I find sharing a problem always helps one to look at it through fresh eyes, even if no one has a solution. A blog I read suggested I haven't thought the story/exchange through sufficiently, which could be true, or that I don't know my characters well enough. Wolf is a close friend, surviving into Headliner from my first novel, Swallow, but Brett is another animal. I'm still getting to know him.

While thinking about this latter possibility, it occurred to me. I really don't like him.

My book needs him as the antagonist in several characters' journeys, and he has a great story arc, but I don't like him. When Wolf was the antihero in Swallow, he had something likeable about him, so even when he was doing the most despicable things to other characters, the reader could still empathise with why he acted like that, even if they didn't agree with his behaviour. Swallow, being my first novel, cooked on a low heat setting for years. I don't want to take years to write each book, to get my ideas on paper! But I knew my characters inside and out by the time I developed the skills required to write a great novel. I have to find ways of getting to know my new characters intimately in a shorter space of time, if I am to overcome this obstacle.

Perhaps I shall write out a biography for him, like I did with my Swallow characters. And if I can think of someone I've encountered along the way in the 'real' world, that might help, too. The importance of getting this scene right is counterproductive; I've written all I can in separate scenes and now I need to start tying it all together in a linear fashion, so I can fill in the blanks, and direct the important choices.

Let's finish with a song. This pretty much epitomises a LOT of gigs and musician social circles I've endured - oops, I mean, enjoyed...


Stealers Wheel - Stuck in the Middle With by halxman